The Selk'nam, also known as the Onawo or Ona people, are an indigenous people in the Patagonian region of southern Argentina and Chile, including the Tierra del Fuego islands. They were one of the last native groups in South America to be encountered by migrant Europeans in the late 19th century. In the mid-19th century, there were about 4000 Selk'nam; by 1919 there were 297, and by 1930 just over 100.
They are a "lost" tribe, missing a clear lineage to the surrounding populations. They are the closest tribe to Antarctica. Though it is thousand of miles from their homeland, the tribe claims their religious demons come from Antarctica. What are these strange costumes? Where did this culture come from originally? Antediluvian Antarcticans?
They are considered extinct as a tribe. The exploration of gold and the introduction of farming in the region of Tierra del Fuego led to genocide of the Selk'nam. Joubert Yantén Gómez, a Chilean mestizo of part Selk'nam ancestry, has taught himself the language and is considered the only speaker; he uses the name Keyuk.
While the Selk'nam are closely associated with living in the northeastern area of Tierra del Fuego, they are believed to have originated as a people on the mainland. Thousands of years ago, they migrated by canoe across the Strait of Magellan Their territory in the early Holocene probably ranged as far as the Cerro Benítez area of the Cerro Toro mountain range in Chile.
Religious Beliefs
Selk'nam religion was a complex system of beliefs. It described spirit beings as a part of the past, in creation myth. Temáukel was the name of the great supernatural entity who they believed kept the world order. The creator deity of the world was called Kénos or Quénos.
Many of their tales recounted shaman-like characters. Such a xon has supernatural capabilities, e.g. he can control weather.
Initiation Rites
Selk'nam male initiation ceremonies, the passage to adulthood, was called Hain. Nearby indigenous peoples, the Yahgan and Haush, had similar initiation ceremonies.
Young males were called to a dark hut. There they would be attacked by "spirits", who were people dressed as supernatural beings. The children were taught to believe in and fear these spirits at childhood and were threatened by them in case they misbehaved. Their task in this rite of passage was to unmask the spirits; when the boys saw that the spirits were human, they were told a story of world creation related to the sun and moon. In a related story, they were told that in the past women used to be disguised as spirits to control men. When the men discovered the masquerade, they, in turn, would threaten women as spirits. According to the men, the women never learned that the masked males were not truly spirits, but the males found out at the initiation rite.
The contemporary ceremonies used this interplay in somewhat of a joking way. After the first day, related ceremonies and rituals took place. Males showed their "strength" in front of women by fighting spirits (who were other males but the women supposedly did not know it) in some theatrical fights. Each spirit was played with traditional actions, words and gestures, so that everyone could identify it. The best spirit actors from previous Hains were called again to impersonate spirits in later Hains.
Apart from these dramatic re-enactments of mythic events, the Hain involved tests for young males for courage, resourcefulness, resisting temptation, resisting pain and overcoming fear. It also included prolonged instructional courses to train the young men in the tasks for which they would be responsible.
Before European encounter, the various rites of the Hain lasted a very long time, perhaps even a year on occasion. It would end with the last fight against the "worst" spirit. Usually Hains were started when there was enough food (for example a whale was washed onto the coast), a time when all the Selk'nam from all the bands used to gather at one place, in male and female camps. "Spirits" sometimes went to female encampments to scare them, as well as moving around and acting out in ways that related to their characters.
